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H.R. 861
U.S. House•In House Committee
Summary
H.R. 861, the American Music Fairness Act of 2025, was introduced in the House on Jan 31, 2025 by Rep. Darrell Issa (R) with 13 co-sponsors. It was referred to Judiciary, and last saw action on Jan 31, 2025: Referred to the House Committee on the Judiciary.
Record
Text
H.R. 861 has 13 co-sponsors.
hb861/introduced-in-house.txt119 HR 861 IH: American Music Fairness Act of 2025U.S. House of Representatives2025-01-31text/xmlENPursuant to Title 17 Section 105 of the United States Code, this file is not subject to copyright protection and is in the public domain.I 119th CONGRESS 1st Session H. R. 861 IN THE HOUSE OF REPRESENTATIVES January 31, 2025 Mr. Issa (for himself, Mr. Nadler , Mr. Green of Tennessee , Mr. McClintock , and Mr. Lieu ) introduced the following bill; which was referred to the Committee on the Judiciary A BILLTo amend title 17, United States Code, to provide fair treatment of radio stations and artists for the use of sound recordings, and for other purposes.1.Short title; table of contents(a)Short titleThis Act may be cited as the American Music Fairness Act of 2025 .(b)Table of contentsThe table of contents for this Act is as follows:Sec. 1. Short title; table of contents.Sec. 2. Equitable treatment for terrestrial broadcasts and internet services.Sec. 3. Timing of proceedings under sections 112(e) and 114(f).Sec. 4. Special protection for small broadcasters.Sec. 5. Distribution of certain royalties.Sec. 6. No harmful effects on songwriters.Sec. 7. Value of promotion taken into account.2.Equitable treatment for terrestrial broadcasts and internet services(a)Performance right applicable to audio transmissions generallyParagraph (6) of section 106 of title 17, United States Code, is amended to read as follows:(6)in the case of sound recordings, to perform the copyrighted work publicly by means of an audio transmission..(b)Inclusion of terrestrial broadcasts in existing performance right and statutory licenseSection 114(d)(1) of title 17, United States Code, is amended—(1)in the matter preceding subparagraph (A), by striking a digital and inserting an ;(2)by striking subparagraph (A);(3)by redesignating subparagraphs (B) and (C) as (A) and (B), respectively; and(4)in subparagraph (A), as redesignated by paragraph (3), by striking nonsubscription each place such term appears and inserting licensed nonsubscription .(c)Technical and conforming amendments(1)DefinitionSection 101 of title 17, United States Code, is amended by inserting after the definition of architectural work the following:An audio transmission is a transmission of a sound recording, whether in a digital, analog, or other format. This term does not include the transmission of any audiovisual work..(2)Conforming removal of digitalTitle 17, United States Code, is amended—(A)in section 112(e)(8), by striking a digital audio transmission and inserting an audio transmission ;(B)in section 114—(i)in subsection (d)—(I)in paragraph (2)—(aa)in the matter preceding subparagraph (A), by striking subscription digital and inserting subscription ; and(bb)in subparagraph (C)(viii), by striking digital signal and inserting signal ; and(II)in paragraph (4)—(aa)in subparagraph (A), by striking a digital audio transmission and inserting an audio transmission ; and(bb)in subparagraph (B)(i), by striking a digital audio transmission and inserting an audio transmission ;(ii)in subsection (g)(2)(A), by striking a digital and inserting an ; and(iii)in subsection (j)—(I)in paragraph (6)—(aa)by striking digital ; and(bb)by striking retransmissions of broadcast transmissions and inserting broadcast transmissions and retransmissions of broadcast transmissions ; and(II)in paragraph (8), by striking subscription digital and inserting subscription ; and(C)in section 1401—(i)in subsection (b), by striking a digital audio and inserting an audio ; and(ii)in subsection (d)—(I)in paragraph (1), by striking a digital audio and inserting an audio ;(II)in paragraph (2)(A), by striking a digital audio and inserting an audio ; and(III)in paragraph (4)(A), by striking a digital audio and inserting an audio .3.Timing of proceedings under sections 112(e ) and 114(f )Paragraph (3) of section 804(b) of title 17, United States Code, is amended by adding at the end the following new subparagraph:(D)A proceeding under this chapter shall be commenced as soon as practicable after the date of the enactment of this subparagraph to determine royalty rates and terms for nonsubscription broadcast transmissions, to be effective for the period beginning on such date of enactment, and ending on December 31, 2028. Any payment due under section 114(f)(1)(D) shall not be due until the due date of the first royalty payments for nonsubscription broadcast transmissions that are determined, after the date of the enactment of this subparagraph, by the Copyright Royalty Judges. Thereafter, such proceeding shall be repeated in each subsequent fifth calendar year..4.Special protection for small broadcasters(a)Specified royalty feesSection 114(f)(1) of title 17, United States Code, is amended by inserting at the end the following new subparagraph:(D)(i)Notwithstanding the provisions of subparagraphs (A) through (C), the royalty rate shall be as follows for nonsubscription broadcast transmissions by each individual terrestrial broadcast station licensed as such by the Federal Communications Commission that satisfies the conditions in clause (ii)—(I)$10 per calendar year, in the case of nonsubscription broadcast transmissions by a broadcast station that generated revenue in the immediately preceding calendar year of less than $100,000;(II)$100 per calendar year, in the case of nonsubscription broadcast transmissions by a broadcast station that is a public broadcasting entity as defined in section 118(f) and generated revenue in the immediately preceding calendar year of $100,000 or more, but less than $1,500,000; and(III)$500 per calendar year, in the case of nonsubscription broadcast transmissions by a broadcast station that is not a public broadcasting entity as defined in section 118(f) and generated revenue in the immediately preceding calendar year of $100,000 or more, but less than $1,500,000.(ii)An individual terrestrial broadcast station licensed as such by the Federal Communications Commission is eligible for a royalty rate set forth in clause (i) if—(I)the revenue from the operation of that individual station was less than $1,500,000 during the immediately preceding calendar year;(II)the aggregate revenue of the owner and operator of the broadcast station and any person directly or indirectly controlling, controlled by, or under common control with such owner or operator, from any source, was less than $10,000,000 during the immediately preceding calendar year; and(III)the owner or operator of the broadcast station provides to the nonprofit collective designated by the Copyright Royalty Judges to distribute receipts from the licensing of transmissions in accordance with subsection (f), by no later than January 31 of the relevant calendar year, a written and signed certification of the station’s eligibility under this clause and the applicable subclause of clause (i), in accordance with requirements the Copyright Royalty Judges shall prescribe by regulation.(iii)For purposes of clauses (i) and (ii)—(I)revenue shall be calculated in accordance with generally accepted accounting principles;(II)revenue generated by a terrestrial broadcast station shall include all revenue from the operation of the station, from any source; and(III)in the case of affiliated broadcast stations, revenue shall be allocated reasonably to individual stations associated with the revenue.(iv)The royalty rates specified in clause (i) shall not be admissible as evidence or otherwise taken into account in determining royalty rates in a proceeding under chapter 8, or in any other administrative, judicial, or other Federal Government proceeding involving the setting or adjustment of the royalties payable for the public performance or reproduction in ephemeral phonorecords or copies of sound recordings, the determination of terms or conditions related thereto, or the establishment of notice or recordkeeping requirements..(b)Technical correctionSection 118(f) of title 17, United States Code, is amended by striking section 397 of title 47 and inserting section 397 of the Communications Act of 1934 ( 47 U.S.C. 397 ) .5.Distribution of certain royaltiesSection 114(g) of title 17, United States Code, is amended—(1)in paragraph (1), by inserting or in the case of a transmission to which paragraph (5) applies after this section ;(2)by redesignating paragraphs (5), (6), and (7) as (6), (7), and (8), respectively; and(3)by inserting after paragraph (4) the following new paragraph:(5)Notwithstanding paragraph (1), to the extent that a license granted by the copyright owner of a sound recording to a transmitting entity eligible for a statutory license under subsection (d)(2) extends to such entity’s transmissions otherwise licensable under a statutory license in accordance with subsection (f), such entity shall pay to the collective designated to distribute statutory licensing receipts from the licensing of transmissions in accordance with subsection (f), 50 percent of the total royalties that such entity is required, pursuant to the applicable license agreement, to pay for such transmissions otherwise licensable under a statutory license in accordance with subsection (f). That collective shall distribute such payments in proportion to the distributions provided in subparagraphs (B) through (D) of paragraph (2), and such payments shall be the only payments to which featured and nonfeatured artists are entitled by virtue of such transmissions under the direct license with such entity..6.No harmful effects on songwritersNothing in this Act, or the amendments made by this Act, shall adversely affect in any respect the public performance rights of or royalties payable to songwriters or copyright owners of musical works.7.Value of promotion taken into accountPursuant to section 114(f)(1)(B) of title 17, United States Code, in determining rates and terms for terrestrial broadcast radio stations under this Act, and the amendments made by this Act, the Copyright Royalty Judges shall base their decision on economic, competitive, and programming information presented by the parties, including whether use of the station’s service may substitute for or may promote the sales of phonorecords or otherwise may interfere with or may enhance the sound recording copyright owner’s other streams of revenue from the copyright owner’s sound recordings.
Tracker
The tracker indicates the progress of this legislation as it moves through the legislative process.
- Introduced2025-01-31
- Passed House
- Passed Senate
- Conference
- To President
- Became Law
CRS Summary
The summaries are the Congressional Research Service’s, one per stage. Read them in full.
Introduced in House Jan 31, 2025
hb861/introduced-in-house.mdShown Here:
Introduced in House (01/31/2025)
American Music Fairness Act of 2025
This bill establishes that the copyright holder of a sound recording shall have the exclusive right to perform the sound recording through an audio transmission. (Currently, the public performance right only covers performances through a digital audio transmission in certain instances, which means that nonsubscription terrestrial radio stations generally do not have to get a license to publicly perform a copyright-protected sound recording.)
Under the bill, a nonsubscription broadcast transmission must have a license to publicly perform such sound recordings. The Copyright Royalty Board must periodically determine the royalty rates for such a license. When determining the rates, the board must base its decision on certain information presented by the parties, including the radio stations' effect on other streams of revenue related to the sound recordings.
Terrestrial broadcast stations (and the owners of such stations) that fall below certain revenue thresholds may pay certain flat fees, instead of the board-established rate, for a license to publicly perform copyright-protected sound recordings.
Sponsors
Rep. Darrell Issa (R) sponsors H.R. 861, and 13 members have co-sponsored it, 4 of them from the day it was introduced.

Rep. · R–CA-48 · Sponsor
Introduced Jan 31, 2025

Rep. · R–TN-7 · Co-sponsor
Joined Jan 31, 2025 · Original

Rep. · D–CA-36 · Co-sponsor
Joined Jan 31, 2025 · Original

Rep. · R–CA-5 · Co-sponsor
Joined Jan 31, 2025 · Original

Rep. · D–NY-12 · Co-sponsor
Joined Jan 31, 2025 · Original

Rep. · D–TX-37 · Co-sponsor
Joined Mar 4, 2025

Rep. · D–MD-8 · Co-sponsor
Joined Mar 4, 2025

Rep. · D–CA-26 · Co-sponsor
Joined Mar 18, 2025

Rep. · D–CA-28 · Co-sponsor
Joined Mar 24, 2025

Rep. · D–WA-7 · Co-sponsor
Joined Jun 2, 2025
Committees
H.R. 861 went before 1 committee: Judiciary.
Actions
H.R. 861 has taken 2 actions since Jan 31, 2025.
| Chamber | Action | |||
|---|---|---|---|---|
Jan 31, 2025 | House | Introduced in House | ||
Jan 31, 2025 | House | Referred to the House Committee on the Judiciary.Judiciary Committee |
Votes
H.R. 861 has not gone to a roll call.
Related bills
1 bill is related to H.R. 861.
Titles
H.R. 861 goes by 3 titles, 1 of them short titles.
- American Music Fairness Act of 2025 — Display Title
- American Music Fairness Act of 2025 — Short Title(s) as Introduced
- To amend title 17, United States Code, to provide fair treatment of radio stations and artists for the use of sound recordings, and for other purposes. — Official Title as Introduced
Lobbying
18 clients hired 21 firms and 72 registered lobbyists who named H.R. 861 in 105 quarterly filings, 2025 to 2026. Reported under the Lobbying Disclosure Act; a filing’s income covers everything its registrant worked that quarter, so the amounts below are the filings’, not this bill’s.
Filed under Copyright/Patent/Trademark, Communications/Broadcasting/Radio/TV, Taxation/Internal Revenue Code, Trade (domestic/foreign), Telecommunications, Consumer Issues/Safety/Products, Arts/Entertainment, Budget/Appropriations.
Clients
Who paid to be heard, by how many filings named the bill.
| Client | Business | State | Firms | Filings | Reported |
|---|---|---|---|---|---|
| IHEARTMEDIA INC | Media and entertainment company specializing in mobile and on-demand entertainment. | District of Columbia | 3 | 19 | $420K |
| RECORDING ACADEMY | — | District of Columbia | 2 | 12 | $240K |
| NATIONAL ASSOCIATION OF BROADCASTERS | Telecommunications Trade Association | District of Columbia | 2 | 11 | $75K |
| SOUNDEXCHANGE | Artists & organizations supporting musicians performance right for over-the-air broad… | District of Columbia | 2 | 9 | $930K |
| UNIVERSAL MUSIC GROUP | — | District of Columbia | 1 | 7 | — |
| IHEARTMEDIA | Media & Entertainment | District of Columbia | 1 | 6 | $315K |
| IHEARTMEDIA, INC. | Media company | District of Columbia | 1 | 6 | $190K |
| AMERICAN ASSOCIATION OF INDEPENDENT MUSIC | Trade association that represents independent record labels in the United States | New York | 1 | 6 | $120K |
| SONY MUSIC ENTERTAINMENT (FORMERLY KNOWN AS SONY BMG MUSIC ENTERTAINMENT) | — | New York | 1 | 6 | — |
| CONSUMER TECHNOLOGY ASSOCIATION | — | Virginia | 1 | 4 | — |
| MAZDA MOTOR OF AMERICA DBA MAZDA NORTH AMERICAN OPERATIONS | — | District of Columbia | 1 | 4 | — |
| COUNCIL FOR INNOVATION PROMOTION (C4IP) | A coalition dedicated to promoting strong IP rights that drive innovation. | District of Columbia | 1 | 3 | — |
| CONSERVATIVES FOR PROPERTY RIGHTS | Coalition | South Carolina | 1 | 2 | $125K |
| NORTH CAROLINA ASSOCIATION OF BROADCASTERS | — | North Carolina | 1 | 2 | $30K |
| MARYLAND-DISTRICT OF COLUMBIA-DELAWARE BROADCASTERS ASSOCIATION | Represent and further the interests of broadcasters to better serve the public. | North Carolina | 1 | 2 | $20K |
| IOWA BROADCASTERS ASSOCIATION | Television and Radio Broadcasting | North Carolina | 1 | 2 | $10K |
| SALEM MEDIA GROUP | Broadcasting, Media | California | 1 | 2 | — |
| ZERO EMISSION TRANSPORTATION ASSOCIATION | — | District of Columbia | 1 | 2 | — |
Firms
Registrants who filed on the bill, by filings.
Lobbyists
Named on the filings that cite the bill. The 20 named most often, of 72.
| Lobbyist | Firms | Clients | Filings |
|---|---|---|---|
| ALICE LUGO | 1 | 1 | 7 |
| AMY ISBELL | 1 | 1 | 7 |
| ANDREW LITTMAN | 1 | 1 | 7 |
| ANDREW USYK | 1 | 1 | 7 |
| CHARLES WADELINGTON | 1 | 1 | 7 |
| DANIEL JOSEPH | 1 | 1 | 7 |
| DAVID PIGUE | 1 | 1 | 7 |
| ELIZABETH MAIER | 1 | 1 | 7 |
| JESSICA MARVENTANO | 1 | 1 | 7 |
| JOHN REISING | 1 | 1 | 7 |
| MARK PRYOR | 1 | 1 | 7 |
| SARA MORRIS | 1 | 1 | 7 |
| TRIPP MCKEMEY | 1 | 1 | 7 |
| WILLIAM MOSCHELLA | 1 | 1 | 7 |
| CHARLES VERDERY | 1 | 1 | 6 |
| CHARLYN STANBERRY | 1 | 1 | 6 |
| CURTIS LEGEYT | 1 | 1 | 6 |
| DAN DUKES | 1 | 1 | 6 |
| DANIEL MATTOON | 1 | 1 | 6 |
| DIANE BLAGMAN | 1 | 1 | 6 |
Filings
The documents themselves, on the Senate’s Lobbying Disclosure site, largest reported first.
| Client | Registrant | Period | Reported | Document |
|---|---|---|---|---|
| NATIONAL ASSOCIATION OF BROADCASTERS | NATIONAL ASSOCIATION OF BROADCASTERS | 2025 first_quarter | $3.1M | 1st Quarter - Report |
| NATIONAL ASSOCIATION OF BROADCASTERS | NATIONAL ASSOCIATION OF BROADCASTERS | 2025 fourth_quarter | $3M | 4th Quarter - Report |
| NATIONAL ASSOCIATION OF BROADCASTERS | NATIONAL ASSOCIATION OF BROADCASTERS | 2026 first_quarter | $2.9M | 1st Quarter - Report |
| NATIONAL ASSOCIATION OF BROADCASTERS | NATIONAL ASSOCIATION OF BROADCASTERS | 2025 second_quarter | $2.9M | 2nd Quarter - Report |
| NATIONAL ASSOCIATION OF BROADCASTERS | NATIONAL ASSOCIATION OF BROADCASTERS | 2026 second_quarter | $2.6M | 2nd Quarter - Report |
| NATIONAL ASSOCIATION OF BROADCASTERS | NATIONAL ASSOCIATION OF BROADCASTERS | 2025 third_quarter | $2.5M | 3rd Quarter - Report |
| CONSUMER TECHNOLOGY ASSOCIATION | CONSUMER TECHNOLOGY ASSOCIATION | 2025 second_quarter | $1.5M | 2nd Quarter - Report |
| IHEARTMEDIA INC | IHEARTMEDIA, INC. | 2025 second_quarter | $1.2M | 2nd Quarter - Report |
| IHEARTMEDIA INC | IHEARTMEDIA, INC. | 2026 first_quarter | $1.1M | 1st Quarter - Amendme… |
| CONSUMER TECHNOLOGY ASSOCIATION | CONSUMER TECHNOLOGY ASSOCIATION | 2025 fourth_quarter | $1.1M | 4th Quarter - Report |
| IHEARTMEDIA INC | IHEARTMEDIA, INC. | 2025 first_quarter | $1.1M | 1st Quarter - Report |
| IHEARTMEDIA INC | IHEARTMEDIA, INC. | 2026 second_quarter | $1M | 2nd Quarter - Report |
| IHEARTMEDIA INC | IHEARTMEDIA, INC. | 2026 first_quarter | $1M | 1st Quarter - Report |
| IHEARTMEDIA INC | IHEARTMEDIA, INC. | 2025 fourth_quarter | $1M | 4th Quarter - Report |
| IHEARTMEDIA INC | IHEARTMEDIA, INC. | 2025 third_quarter | $993K | 3rd Quarter - Report |
| UNIVERSAL MUSIC GROUP | UNIVERSAL MUSIC GROUP | 2026 second_quarter | $800K | 2nd Quarter - Report |
| CONSUMER TECHNOLOGY ASSOCIATION | CONSUMER TECHNOLOGY ASSOCIATION | 2025 third_quarter | $800K | 3rd Quarter - Report |
| CONSUMER TECHNOLOGY ASSOCIATION | CONSUMER TECHNOLOGY ASSOCIATION | 2025 first_quarter | $730K | 1st Quarter - Report |
| UNIVERSAL MUSIC GROUP | UNIVERSAL MUSIC GROUP | 2025 first_quarter | $710K | 1st Quarter - Report |
| UNIVERSAL MUSIC GROUP | UNIVERSAL MUSIC GROUP | 2026 second_quarter | $660K | 2nd Quarter - Amendme… |
Classification
The Congressional Research Service files H.R. 861 under Commerce, one of its 31 policy areas.
CRS Subjects
CRS assigns every bill one policy area from its 31; H.R. 861’s is Commerce.
hr861/policy-areas.txtConstitutional authority
The clause the sponsor cites as Congress’s power to enact H.R. 861, as entered in the Congressional Record.
[Congressional Record Volume 171, Number 21 (Friday, January 31, 2025)][House]From the Congressional Record Online through the Government Publishing Office [www.gpo.gov]By Mr. ISSA:H.R. 861.Congress has the power to enact this legislation pursuantto the following:Article I, Section 8, clause 8 provides Congress with thepower to promote the ``Progress of Science and useful Arts,by securing for limited Times to Authors and Inventors theexclusive Right to their respective Writings andDiscoveries.''[[Page H434]][Page H433]
Source: congress.gov · legiscan.com
